Ken’s Tribute:
Leigh Kamman was the most comfortable radio host to ever grace the airwaves. Though Leigh was obviously the smartest guy in the jazz room, he never
talked down to listeners -- he included them. Kamman described his method:
“The technique is to take people on a journey, to use imagery and pace
with the music to suggest a time and place so they can picture it, or remember
it.”
Below is an
abridged article about Kamman courtesy of the Minneapolis
Star-Tribune.
Leigh
Kamman, hosting The Jazz Image on MPR in 2002
Photo credit: David Brewster, Star Tribune
Photo credit: David Brewster, Star Tribune
By Erin
Golden
Star Tribune
October 19, 2014
On some of
the weekend nights before he’d begin broadcasting The Jazz Image, Minnesota
Public Radio broadcaster Leigh Kamman would pull out a worn-out box and hand
his radio board operator an old reel-to-reel tape.
Sometimes it
was when a jazz legend had died, and Kamman wanted to make part of the show a
tribute to the artist. And almost always, Kamman would do more than just spin a
few songs — he could play recordings of his own interviews with some of the
biggest names in music. He’d talked to Charlie Parker, Billie Holiday and Stan
Kenton. He had a tape of a lengthy interview with Duke Ellington, recorded as
the two rode around in the back of Ellington’s limousine.
Kamman, who
died Friday [October 17, 2014 in Edina at age 92, never made music of his own.
But in a six-decade career that began with a teenage Kamman snagging an
interview with Ellington in St. Paul and ended with a 34-year run on MPR, the
broadcaster became a jazz icon in his own right.
Kamman got
his first radio hosting gig while he was still in high school, a late-night
jazz show he called Studio Party Wham.
He joined the Army during World War II hosting jazz programs on Armed Forces
Radio.
In the 1950s,
Kamman left Minnesota for New York. He married a singer,
Patty McGovern, had
two daughters and continued to snag interviews with jazz greats. He returned to the Twin Cities and launched The Jazz Image on Minnesota Public Radio in 1973.
On that program,
broadcast in the overnight hours on weekends, Kamman wouldn’t just play songs
and interviews. He’d always work hard to set the scene, letting listeners
imagine themselves in a far different place.
The entire article is at startribune.com/entertainment/music/279674512.html
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