WNYC-FM has more weekly listeners than any
other noncommercial station in the
nation
|
Today
we have a big picture view of the top thirty noncommercial stations according
to Nielsen Audio PPM ratings for May 2018.
We have also included a comparison to May 2017.
This information clearly confirms that noncom
stations have large numbers of listeners.
Keep
in mind that Nielsen makes ratings data available only for stations that
purchase the ratings.
There conceivably could be noncom stations with more
listeners than the thirty stations listed in this post. But, we can think of any.
There
are five major noncom formats: NPR News/Talk, Christian Contemporary Music (CCM),
Classical music, Triple A/Alternative Rock music, Jazz music and Latin Pop
music. There are other formats – Community,
Christian Talk and Oldies come to mind. None of these other formats have the
critical mass of listeners to challenge the 30 stations we are discussing.
The
chart on the right is a summary of the top thirty stations by their program
formats. Over half of the stations on the list air NPR News/Talk programming.
One station on the list, KCRW in Los Angeles, has a dual format of NPR News and
Triple A music. When tabulating the formats, KCRW is included as .5 NPR News
and .5 Triple A.
The
second largest group of stations airs Christian Community
Radio (“CCM”). Three of the seven CCM stations air Educational Media
Foundation’s (EMF) K-Love format. K-Love is heard on 397satellite-fed stations and 387 FM translators. It sounds exactly the same on all of them.
We
have arranged the top thirty into three groups of ten to make the information
easier to read. We will provide a bit of commentary on some stations in each
group.
On
the left is the chart showing the top ten noncommercial stations by their
estimated weekly listeners.
With a couple of exceptions, the NPR News/Talk
stations have growing numbers of weekly listeners.
KSBJ has the largest number
of estimated weekly listeners of any CCM station. KSBJ is also the most
financially successful CCM station in the nation. Unlike satellite-fed K-Love stations, KSBJ
has a large local in-person presence on the streets in southeast Texas.
The
second group of stations, #11 through #20, includes the only Jazz music
station, KKJZ in LA, on the lists.
Previous top thirty lists we have complied typically included WBGO in
New York. They were close to making the list this time but WBGO’s estimated
weekly listeners have been down recently.
At
#11 is a new station in the top thirty: WCKL in Chicago. WCKL operates on the
frequency where The Loop used to be.
It’s K-Love format is reaching about a third of listeners that were reached by The Loop. Another
K-Love repeater is #16 KKLQ in Los Angeles.
The
group of stations #21 through #30 includes a couple of notable stations that
far out-perform their market size.
Portland, Oregon is Nielsen Audio market #23
but KOPB draws more estimated weekly listeners than many stations in much bigger
cities. KOPB’s performance is an inspiration to everyone who believes that
programming excellence will determine the future of public radio.
Station
#28, KNAI in Phoenix has been in the news recently. The FCC fined the Cesar Chavez Foundation over
$100,000 because KNAI and a station in Fresno were found to have broadcast
numerous commercial messages.
I can think of one more station to add to your list of top 30 non-comms, at least as far as weekly cume is concerned. Michigan Radio serves six Nielsen metros across southern Michigan (Detroit, Grand Rapids, Ann Arbor, Flint, Lansing and Kalamazoo). Although the station's weekly cume in Detroit alone doesn't crack this list, Michigan Radio has a total weekly cume across all of these markets of 510,100, according to the most recent Nielsen National Regional Database (Fall 2017). That would put Michigan Radio at #9 on this list.
ReplyDeleteOf course, there are other stations on this list, like OPB and Minnesota Public Radio, that have significant listening audiences that extend beyond their home markets also. It would be interesting if there were a way to compare the total broadcast audience of stations and station networks, beyond just their home markets.