Jerry Nadal |
According
to an interview with KNPR's interim CEO Jerry Nadal on Nevada Public Radio daily
interview program State of Nevada,
the Board of Directors was apparently asleep at the wheel as debt mounted and
revenue stalled.
During
the program on Thursday (9/26) Nadal, a longtime member of the Board, told
independent journalist John L. Smith:
“[Board
members] got financial statements every month but it was very high-level
consolidated statements. The board didn't get into the nitty-gritty, day-to-day
running of the station.”
Audio
and a transcript of the interview can be heard and read here.
The
tripwire that led to revealing the financial crisis and the resignation of
former CEO Flo Rogers, apparently happened in early August. Members of the Board saw that KNPR’s “rainy
day fund” was out of money and there were no other revenue sources to pay the
bills. The number KNPR’s donors had stalled at around 11,000 members.
Now
Nadal and the board are still trying to figure out what happened. They have
hired forensic accountants to review past audits and other financial documents.
Also they are conducting an internal fact-finding effort.
Smith
asked Nadal if he now knows the amount of the debt KNPR has:
Nadal: “[We] still don't know that
accurate number...I can tell you the status of our finances is pretty dire
right now.”
Perhaps
board members were lulled to sleep by KNPR’s performance in the Nielsen PPM
ratings. According to Nadal, KNPR is now one of the top five stations in the
Las Vegas market and Morning Edition is the number one station in morning
drive. (Spark News also has reported
that KNPR is the top radio news source in the market.)
Smith
asked Nadal if there would be changes in KNPR’s programming because of the
financial shortfall:
Nadal: “I don't think that, from an audience member standpoint, you'll notice
anything different. I think we want to maintain all the programming that we
have.”
However
the future of KNPR’s Classical music station KNCV is under review. Nadal told
Smith “[KNCV] has not been where we think
it probably should be, to be [self] supporting.
RICK LEWIS DIES AT 71
& “SAILS INTO THE MYSTIC”
Rick Lewis at Minnesota Public Radio |
Another
member of Public Radio Greatest Generation
– the men and women who laid the foundation for today’s public radio – has
died.
Reportedly, Rick Lewis died from a heart attack in Ecuador on September 7th.
In
Current’s wonderful obituary of
Lewis, written by Karen Everhart [link], at the time of his death, Lewis was
living in a village in northern Ecuador, where he had retired in 2012.
We
won’t repeat Current’s fine tribute to Lewis, but we will provide our own history
with him.
We
first met Lewis in the early 1990’s just after he was part of the team that
created Marketplace.
American Public
Radio (which became Public Radio in 1995) had a major financial stake in
Marketplace. At the time we were APR’s Director of News and had considerable
contact with Lewis.
We
were impressed by Lewis’ foresight and analytical mind. We saw Lewis’ guts and
perseverance needed to establish Marketplace.
Most
all, we liked Lewis’ often humorous observations about the ironies of life. Lewis
cared deeply about his work but he never took it too seriously. He added laughter
and good will to whatever he was doing.
Lewis
became the GM of WOI AM/FM in Ames, Iowa in the mid 1990’s. His impish humor
was on display in his email signature, where he said:
“Greetings from Iowa –
Gateway to the Large Rectangular States.”
The
last time we talked with Lewis was when he was working at WLRN in Miami, maybe
15 years ago. After that, we lost contact.
Lewis
moved to Ecuador where he could “grok” the mysteries of the Andes Mountains and
the meaning of life.
Some
readers might not be familiar with the term “grok.” It was introduced by author
Robert Heinlein in his 1961 sci-fi novel Stranger
in a Strange Land. Grok means to understand so thoroughly that the observer
becomes a part of the observed—to merge, blend, intermarry and lose one’s
identity.
While
in Ecuador, Lewis began blogging. In his blog – BrokeDownPalette [link] – Lewis
brought his keen observational skills to new heights.
As
a tribute to our friend Rick Lewis, here are his words and photographs from
his blog.
From Rick’s final post,
published August 7, 2019.
“When I
came to Ecuador in 2012, I left the American fascination with weather behind,
along with its extremes on the North American continent. I can still find and
pay a visit to hot or cold weather if I’m in the mood—but that’s Celsius on the
cell phone, so not that intense—and I can also leave it quickly behind.”
“I didn’t
want to become one of those elderly retirees who keep a careful and pointless
journal of daily highs and lows and rainfall.”
“That said,
I am more than interested in the unobstructed march of climate change and its
impact on everything from crops to world hunger to the disappearance of entire
species—ultimately, we humans. These are things that matter. Still, here among
the peaks of the Andes, we’ll be around long after Miami has gone the way of
the Lost City of Atlantis, and Hawaii is a mildly interesting coral reef.”
“The most
rock-solid weather prediction is still George Carlin’s, in his classic comic
role as the Hippy-Dippy Weatherman: “Tonight’s forecast: Dark.”
The origin of the blog’s
name “BrokeDownPalette.”
“Around
1990 or so, when I became the last person in the world to learn of the Grateful
Dead, I was enamored of a song the band often used as an encore: ‘Brokedown
Palace.’”
“ It was a
wistful, introspective sort of number about birds and a river and farewells
that stuck with me over the years, and so when I decided to paint some word
pictures—well, you can see where the title came from.”
Rick Lewis
reflects on NPR.
“I clearly
remember the day I first visited the offices of NPR in Washington, D.C., in the
early 1970s, long before I would return one day to work there. I was
invited to sit in on the daily story meeting for All Things Considered, the
network’s only news program at the time, where staff members brought ideas to
the table. Suggestions were offered, batted around, challenged and
improved upon as the evening’s show began to take shape.”
“Richie Adams,
a producer and newscaster, suggested an interview with the editor of a
collection of the year’s political cartoons that had just been published.
His colleagues fell on him, as was traditional:
Cartoons
are visual! This is radio! Why should we do this story?
Adams said
evenly. “They’re not funny.”
“What’s
past is prologue. More than forty years later, just take a look.”
Rick Lewis uses radio
towers as a metaphor about human nature.
“Radio
towers, often located in remote areas under the watchful eye of no one, are a
magnet for both children and childish adults who can’t resist climbing them.
That’s the reason for the tall fences. If someone climbs the tower anyway, or
gets electrocuted, it just means the fence wasn’t high enough.”
“In the
eyes of the law, the tower owner is likely to be liable for possessing a
nuisance that was irresistibly attractive. The climbers are off the hook – if
they live. By the same token, if children trespass on a farmer’s land and are
injured, it’s likely that the farmer, not the trespassers, will be prosecuted.”
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