This
post is from the Spark News archives.
It first appeared on August 3, 2016.
The
end had finally arrived at KUSP in Santa Cruz, California.
On July 31, 2016 KUSP signed off the air,
ending months of angst-filled in-fighting and years of mismanagement.
KUSP's
Board President Matt Farrell, summed it up this way in KUSP's final press release:
“This decision reflects
the reality of the station's financial situation; we simply cannot afford to
broadcast any longer."
The
shutdown came despite a last-minute effort to convert KUSP to an AAA “music
discovery” format. There simply was not
enough time for the new format to establish itself.
According
to a recent report by the Public Media Company (PMC), KUSP’s debts are over
$860,000 and continue to grow every day.
KUSP has run out of money [quoting from the PMC report]:
“KUSP is financially
broke. As of September 28, 2015, the unrestricted cash was zero. This is
despite two substantial donations in the last fiscal year that totaled over
$250,000.
”
By
spring 2016. KUSP needed to raise $1.1 million.
They needed $350,000 as soon as possible just to stay on the air.
Between
2014 and summer 2016 Spark News had published over 40 articles dealing with
KUSP’s impending doom. When looking over
those posts, it was obvious the end was near.
It
is timely to look at lessons learned and we hope other stations don’t follow KUSP’S
path to oblivion.
WHAT WENT WRONG AT KUSP?
1. KUSP USED THE
“PACIFICA METHOD” OF GOVERNANCE
Lorenzo Milam in 1972 |
KUSP
was started by the Pataphysical Broadcasting Foundation, a 501c3 charity set up
to create the station. KUSP signed on in
1972. Pataphysical Broadcasting Foundation, and KUSP, were creations by Lorenzo
Milam and engineer Jeremy Landsman. From the very start, KUSP was to “be run by
The People.”
Pataphysical’s
bylaws stipulated that in addition to Board members and management key
volunteers and employees could nix any changes at the station. Operating the
station became a nightmare because even “honorary members” had the right
approve or deny changes. Instead of moving forward, KUSP was divided into
factions playing out personal agendas. It was death by committee.
It
was never clear when a vote required. Under California law, corporate bylaws
determine the rules of the road, so KUSP was stuck in the mud. To the best of
my knowledge, these bylaws are still in effect today.
2. THE LEADERSHIP OF KUSP
DITHERED AWAY CHANCES TO TURN THE STATION AROUND
For
most of its life, KUSP aired the major NPR News magazines, Pacifica shows such
as Democracy Now!, plus a variety of
local music and opinion programs. Then, In 2000, another station, KAZU in
Pacific Grove began airing NPR News/Talk programming 24/7. From that point on,
KUSP played second fiddle to KAZU.
After
the rise of KAZU, KUSP became increasingly unsustainable. The red ink slowly
increased and the station existed because of cash flow. Debts began to go
unpaid. Management at KUSP got worried and decided to act.
In
early 2015, Classical Public Radio Network (CPRN), the owners of KUSC, Los
Angeles, and KDFC, San Francisco offered to buy KUSP for $1,000,000. KUSP
turned down CPRN’s offer.
Board
members came up with a new scheme to save KUSP.
Because of KUSP’s arcane system of governance, they needed the member’s concurrence
to move forward. They didn’t get it.
In
summer 2015 KUSP seemed to get a lifeline. The Board announced it had received
a gift of $100,000 from an anonymous donor. Soon the $100k was gone and KUSP
still didn’t have a plan to deal with the rising red ink.
In
September 2015, KUSP’s Board brought in Public Media Company (PMC) to assess
the dire situation at the station and make recommendations. for the future.
PMC’s advise was was “Get real or go out
of business.”
In
October 2015 KUSP switched to a fulltime AAA format. The format might have worked but there wasn’t
enough time and resources to make it happen. KUSP ended on July 31, 2016.
3. KUSP WAS MORE
CONCERNED ABOUT “POLITICAL AND CULTURAL PURITY” THAN SERVING LISTENERS
Credit
or blame KUSP’s co-founder Lorenzo Milam for the death of KUSP. Milam has been
called the Johnny Appleseed of Community Radio because he inspired dozens,
maybe hundreds, of independent community stations.
In
1972, Milam published Sex and
Broadcasting, a primer about how to file an application for a new station
with the FCC. At that time there were many unclaimed frequencies. We bought our
copy of Sex and Broadcasting at a “headshop.” We saw it on a shelf
next to High Times.
Milam
was a “true believer, at least in his own mind.
He worked at Pacifica’s KPFA and founded KRAB-FM in Seattle in 1962. He
also played a role in the founding of KBOO in Portland, KDNA in St. Louis, WYEP
in Pittsburgh and many more.
Sex and Broadcasting became a bible of sorts
for community stations. Even now, some
station managers still have a copy. It influenc”e many new community stations
to adopt the “Pacifica Method” of governance and programming.
Milam
was a visionary who exceled in concepts and theories. But, he wasn’t good at running anything. Folks sais he was a genius with poor people
skills.
Here
is a sample of the programming advice that Milam gave the founders of KUSP:
“KUSP is the sound of
this life around us, in and around Santa Cruz, whatever is joyous, creative,
dramatic -- that we want to find with our microphone, and by means of
RadioMagick, send back to you, amplified and intense.”
“[On KUSP] we want the sounds
of dulcimers, flutes, bagpipes, guitars -- electric and acoustic, horns,
violins, tom-toms... the sound of our musicians.”
Milam’s
advice was useless. The people who ran KUSP over the years didn’t realize his
advice was bullshit until it was too late.
So, once again- NPR allows duplication in a market. Boston, Atlanta, Delmarva..
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