Last
week when we covered the positive developments at KUSP [link], we talked about
Lee Ferraro who is the interim GM in Santa Cruz. We said there is hope for KUSP
because Ferraro is a proven noncom entrepreneur. Witness the amazing success of
WYEP.
A
few years ago I donated to WYEP and I am still on their promotion list. I have
been receiving emails from WYEP like the one to the right. These emails are
extremely convincing. They convey the essence of WYEP’s personal value to the
people who count the most: Listeners.
DON’T STOP
THE MUSIC
One
of the best aspects of WYEP’s current pledge drive is the promise of “no
interruptions.” The message is simple: Pledge your support now because WYEP
does not want to stop the music for pledging. Listeners are responding – WYEP
is (as of this writing) more than half way to its goal of $150,000.
Listener
support is vital to WYEP because it provides over 42% of WYEP’s operating
budget. According WYEP’s 2013 IRS filing, the station has a $2.2 million annual
budget. Underwriting revenue and proceeds from station events are also major
components of WYEP’s listener-sensitive support.
COMMUNITY RADIO CAN
LEARN FROM WYEP
WYEP’s
success happened because of wise management and a game plan to make the station
an ever more essential part of life in Pittsburgh. But after WYEP started in
1974 it almost folded. For its first decade WYEP was a Pacifica-style operation
much like many NFCB stations are now. By the mid-1980s WYEP was insolvent and
went off the air.
Then, new management led by Peter Rosenfeld entered the scene and WYEP signed back on in 1986.
By 1987 the station had new offices and studios and a powerhouse Board
with deep ties to the community. Gone were the marginal specialty programs and
political rants. WYEP focused on serving a substantial number
of listeners by playing, and talking about, the best progressive rock music
available.
By
1994 WYEP had a new transmitter and much improved coverage area. More paid
on-air hosts were hired. They attracted more and more listeners and supporters. Lee Ferraro began WYEP's GM in 1996. Ferraro left in 2012 and Abbey Goldstein became WYEP's GM.
In 1997 they partnered with World Café and the Andy Warhol Museum to start the WYEP Summer Music Festival. It became an essential event in Pittsburgh.
In 1997 they partnered with World Café and the Andy Warhol Museum to start the WYEP Summer Music Festival. It became an essential event in Pittsburgh.
MEANWHILE
WDUQ IMPLODED
WDUQ was Pittsburgh’s NPR News station
for many years. In addition to news,
WDUQ aired blocks of tasty jazz music. But things with the station’s licensee
were troubled. WDUQ was owned by Duquesne University, a Catholic school that
never embraced the station.
The shit hit the fan in 2007. WDUQ began airing underwriting messages for
Planned Parenthood. According to coverage in The New York Times, one
of the messages said: “Support for DUQ comes from Planned Parenthood, providing
comprehensive sexuality education, including lessons on abstinence. Planned
Parenthood: Their mission is prevention.”
The
president of Duquesne had a cow. He ordered WDUQ
management to stop airing the spots, which they did. But the turmoil opened old
wounds and Duquesne decided to sell WDUQ.
WYEP came to the rescue. With the
assistance of the Public Media Company (then known as Public Radio Capital), Farraro
and his team formed Essential Public Media and bought WDUQ. WESA signed on as Pittsburgh’s NPR News Station.
By
2013, WESA had become, according to its IRS filing, a five million dollar
operation. The best part is that WYEP technically owns WESA. Essential
Public Media is wholly-owned subsidiary of WYEP. WESA became part of The WYEP Community Broadcast Center.
Community stations everywhere can learn
from WYEP’s track record: You don’t have to be stuck with small, insignificant operations
like Pacifica. You can choose to be essential.
Ken, all I'm gonna say is that this isn't even one tenth of the whole story. The WDUQ saga was an ocean of backstabbing academic politics, primarily to please one highly-conservative major donor to the college who was also a fan of WYEP.
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