It
is nice to report that WAMU in Washington, DC, is making up for lost
ground in Nielsen Audio’s PPM ratings for November.
The
stations still has a way to go to beat its all-time highs set in April 2017
(10.0% AQH share) and October 2016 (861,400 weekly listeners).
WAMU’s
monthly PPM numbers have been going up recently.
The AQH share has increased for the past
five months and estimated weekly listeners have been trending up since August.
Why
is this happening?
WAMU has made no major schedule changes. Folks we’ve
spoken with who live in the DC area say that WAMU “sounds better” and many
on-air hosts have picked up their speaking pace. But, these variables are hard to measure.
Another factor might be high
profile mid-term election races. We saw a “Trump bump” around the 2016
election. Perhaps the recent “Trump dump” is causing some excitement.
Truth
be told, the November Nielsen PPM ratings is mainly measuring listening that happened in October.
Nielsen has an unusual yearly calendar. There are 13 "Nielsen months." Nielsen adds an extra "Holiday" period.
We don’t pay a lot of attention to the Holiday report because
lifestyles change during the Christmas holiday. Plus, public radio has no stations
playing all “Christmas music.” This is another reason we like public radio.
All-news
WTOP AM/FM was down a bit with a 9.5 AQH share and 1,118,700 estimated weekly
listeners. All-conservative talk WMAL was up compared to the previous
month. In November WMAL had a 5.1 AQH
share and 406,200 AQH listeners.
NIELSEN TO RELEASE
RATINGS DATA FOR NON-SUBSCRIBING STATIONS IN DIARY MARKETS
The
Radio Research Consortium (“RRC”) sent a message last week saying Nielsen Audio
has announced that, beginning with the Fall 2018 survey, it will report
estimates for ALL non-commercial stations in diary-based markets. Tobe listed, noncom stations must meet Nielsen’s
minimum reporting standard. A station must have 0.1% metro AQH rating to be
included in the published information.
This
is good news for Spark News readers who depend on us for noncom ratings data.
The Fall 2018 numbers, which will be available in January 2019, will include
more stations so we will be able to report estimates for stations such as Alt
Rock WAPS in Akron and Classical KCME in Colorado Springs.
However
RRC doesn't seem too pleased with Nielsen’s decision, perhaps because they might
loose paying station customers. RRC said in their message to stations;
Note: Although Nielsen is
making a change in its reporting, RRC’s position on Tapscan ranker reports is that
they are not the best way to present your station to potential underwriters.
Plus,
stations that don’t subscribe to Nielsen’s ratings may not use the data
for any purpose. If you do, there may be an unwelcome knock at your door.
SO, WHO OR WHAT IS “THE
RRC?”
From
time-to-time we get questions from readers wondering why we credit we credit
“RRC” when we report the ratings. Here are the basics:
The
Radio Research Consortium [link] “RRC” is a nonprofit organization that is a
vendor of Nielsen Audio data for noncommercial radio stations. RRC has a rich
history and has been a vital resource for public radio since it began brokering
Arbitron data in 1981.
RRC
began when Tom and Joanne Church, both former Arbitron employees, brought together a group of 14 stations to
pool their money and learn the Arbitron ratings for their stations.
Prior
to 1981, few people in noncom radio paid attention to the ratings. The common wisdom in the pre-ratings era was that public radio stations had “a small but loyal
audience.” When stations saw the Arbitron numbers, the learned that the common
wisdom was only partially correct.
Public
radio stations did have small audiences but listeners were not loyal at all.
This caused the leaders of public radio to “think audience” and improve
service.
The
founders of the PRPD in 1988: (Left to right)
the RRC’s
Tom Church, Peter Dominowski, Marcia Alvar,
Craig
Oliver, Don Otto & Ellen Craft
|
RRC
data was important to founding of the Public Radio Program Directors
association (PRPD).
Knowing audience trends taught many stations to focus their
formats on specific types of programming such as 24/7 News/Talk, Classical music, etc. Commercial
stations had been doing this for many years with great success.
Public
radio’s use of ratings, and the development of consistent formats, caused some
observers to protest what they considered a “dumbing down” of the content and the
marginalization of some types of programming.
However,
it is hard to dismiss the positive impact of using the ratings. By paying
attention to the audience – what listeners like and what they don’t – public
radio has evolved from a primarily subsidized economy to an independent,
private economy where listeners and underwriters contribute the largest share.
Today
RRC is not only a vendor of ratings data, it also offers training, presentations
and custom reports. According to RRC’s 2017 IRS 990 tax filing, RRC reported
$6.6 million in revenue. During the same tax year, RRC paid $4.8 million to
Nielsen for the data. The majority of the remaining amount was spent on salaries.
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