Occasionally
we get questions from readers about coverage of radio they’ve seen in trade
papers and business publications. We received a request from a reader in
Chicago to evaluate the veracity of an article that appeared August 15, 2019,
in the Chicago Business Journal [link]
about Classical station WFMT.
Above
is the headline for the article by reporter Lewis Lazare as it appeared in the Chicago Business Journal online. You’ll
have to agree that that the verbiage “WFMT-FM
program director's abrupt exit raises new alarms about station's future”
sounds pretty dire. The reader who contacted us asks if what Lazare says is
true.
The
premise of Lazare’s article is based upon (1.) WFMT’s Program Director, David
Polk, resigned to move to New York; (2.) Classical music stations tend to have
fewer listeners than they used to; and, (3.) Recently there have been changes
in the management of WFMT.
Lewis Lazare |
After
reviewing the facts, we think Lazare draws unwarranted conclusions and is
conflating unrelated and sometimes untrue assertions to create the appearance
of a “crisis” situation.
By doing so, Lazare’s words cause needless
speculation.
The reader who contacted us got the impression from Lazare's article that WFMT was about
to change format or disappear.
We
don’t know Mr. Lazare but he appears to have mashed together unrelated facts and his own self assumptions
to create a zippy headline.
We
have included Lazare’s article in its entirety at the bottom of this post.
Also, we will publish Lazare’s comments about our review if he chooses to provide them.
LETS LOOK AT THE FACTS
• POLK’S RESIGNATION
David Polk |
Lazare
wrote: This week's abrupt exit of David Polk
as program director at classical music-formatted WFMT-FM (97.8) once again has
sounded the alarm about the future of the station and of classical music on
radio in Chicago.
It
is true that Polk did resign and
he intends to move to New York. But, there is no indication that Polk's personal
decision was "abrupt" or alarming. Polk's leaving has no bearing on the future of WFMT or Classical
music on the radio.
• "CLASSICAL MUSIC IS A
HARD SELL ON THE RADIO"
Lazare
wrote: “It’s no secret that classical
music has become a hard sell on the radio, as fewer stations can muster the
necessary resources to keep the genre profitably on the air.”
This
not true.
Millions
of people enjoy Classical music on the radio, online and at concerts and
events. It is true that Classical music fans tend to be in the older demos, but
the same statement can be made about radio listeners in general.
Lazare
seems to be unaware that Classical music is well suited to noncommercial public
radio. The economics are different when a station success is not solely based
on ad revenue. That is why former commercial Classical stations have become
public stations including WQXR in New York, KDFC in San Francisco, WCLV in
Cleveland and WCRB in Boston.
WFMT
is actually a hybrid. It is licensed as a commercial station but it now uses
many public radio attributes to bring in revenue.
Lazare
implies that WFMT is not doing as well in the ratings as other Classical music
stations. This is also not true.
Sparks News took a look at the
Nielsen Audio PPM ratings trends for Classical music stations in the top five
markets (chart on the right).
Three
of these stations (WQXR, KUSC & KDFC) are noncommercial, listener-supported
shops. WFMT and WRR in Dallas are commercial stations that are owned and
operated by nonprofit organizations. All of these stations are successful by
any measure.
They
are also well suited for our multi-channel, multi-platform media environment. Super-serving
a passionate, niche audience is the key and the ages-old appeal of the music
drives listeners to give their support.
• THE MANAGEMENT TEAM AT
WFMT IS NEW
So
what? Lewis Lazare should give them a chance before predicting their demise.
++++++++++++++++++++++
Original article:
https://www.bizjournals.com/chicago/news/2019/08/15/wfmt-fm-program-directors-abrupt-exit-raises-new.html
WFMT-FM program director's
abrupt exit raises new alarms about station's future
By Lewis Lazare
– Reporter, Chicago Business Journal
Aug 15, 2019, 2:00pm EDT
This week's abrupt exit
of David Polk
as program director at classical music-formatted WFMT-FM (97.8) once again has
sounded the alarm about the future of the station and of classical music on
radio in Chicago.
In a Facebook posting,
Polk announced he is leaving the station to seek his fortunes in New York City,
and he asked his followers for housing tips in the Big Apple.
A memo to WFMT staffers
from recently named
general manager George
Preston complimented Polk for his contributions, but made no mention
about any search for a successor or what the programming game plan for the
station would be going forward.
A spokeswoman for WFMT
said Preston would be unavailable for further comment.
Polk was named program
director at WFMT in late 2013, by former general manager Steve
Robinson, who exited the station in the fall of 2016 after a long
run.
Following Robinson’s
exit, Polk and Tony Macaluso,
the director of the WFMT Radio Network, were put in charge of the station.
Macaluso subsequently
exited the station, too. That left Polk to run the show until Preston, a former
on-air host at WFMT, resurfaced in March of this year as the new general
manager.
It’s no secret that
classical music has become a hard sell on the radio, as fewer stations can
muster the necessary resources to keep the genre profitably on the air.
WFMT has for years relied
on a couple of membership drives annually to raise a large chunk of its
operating budget. To get people to cough up contributions, the station has
offered a vast array of compact discs and other premiums. It’s unclear whether
WFMT has thought through what it might offer in lieu of CDs as they become
increasingly of no use to people under 60.
Polk, when he took over
as program director, signaled he would help evolve WFMT-FM to make it a more
appealing outlet to younger listeners. But over the years there were few dramatic
changes. The biggest — the promotion of Dennis Moore
to morning drive host a year ago — seems to have fizzled. Moore has not brought
anything substantively different to the job. And perhaps tellingly, Moore every
morning introduces a segment hosted by Carl Grapentine, who retired to make way
for Moore.
Now with WFMT mired near
the bottom of the entire radio ratings heap in Chicago, the pressing question
is whether Preston can drive substantive change and keep WFMT alive. The
answer, however, may not be so much in Preston’s court, as it is in that of Sandra Micek,
a former Hyatt Hotels (NYSE: H) executive who in May of 2018 was named
president and CEO of WFMT parent Window to the World Communications.
Micek is said to have
been rethinking every aspect of the not-for-profit media company’s operations,
which also includes public television station WTTW-Channel 11.
Micek has not yet
entirely spelled out what she intends to do. But it’s clear the winds of change
are starting to blow stronger with each passing day at WFMT, and Polk’s
departure is the latest indication of that.
It's always fascinated me that WFMT has all advertising read by the host, live...no recorded commercials allowed. So you'll never hear a shouting car salesman or terrible jingle, just classical music and the mellifluous voices of the WFMT on-air personnel. Their public-radio-like pledge drives help maintain that, so they can charge less for the ad spots, one presumes.
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