Friday, February 24, 2017

STORY UPDATES & COMMENTS


THE SALE OF WNKU CONTINUES TO CAUSE RIPPLES

 1.) Fans of recently sold Triple A station WNKU have launched a “Save WNKU” campaign. As of early this week, more than 4,000 listeners have signed petitions asking Northern Kentucky University (NKU) to reconsider sale of the station to Bible Broadcasting. Though the deal has been made, it doesn’t go into effect until the FCC approves the transaction. That gives the parties some wiggle room but a change of heart by the university is not expected.

Some observers have wondered if an effort similar to “Save KPLU” in Seattle-Tacoma last year could work in Cincinnati.  As you probably recall, fans of KPLU organized a campaign to meet KPLU’s proposed sale price.  They raised over $8 million and KPLU is now independent KNKX. There has been no similar citizen campaign that has emerged yet in Cincinnati.

2.) Cincinnati TV station WCPO has confirmed that Louisville Public Media (LPM) approached NKU with a proposal to operate WNKU via a Local Management Agreement (LMA). LPM is very successful three-station cluster with the people and money to make such an arrangement happen. LPM, like Cincinnati Public Radio (who also made an LMA proposal), was rebuffed by NKU.  The university clearly had its mind made up to sell WKU regardless of the value of its music format.

Stacy Owen, program director at LPM’s Triple A station WFPK told WCPO: “A station like WNKU is so important to the local music scene and listeners who count on a format like that for music discovery and where to go locally for music.”

3.) Cincinnati Public Radio is making a good faith effort to fill the void when WNKU signs off by putting WXPN’s Exponential Radio on its HD2 signal. Both HD listeners in Cincinnati are very pleased.

4.) Former WNKU GM Chuck Miller contacted me to clarify an item in our story about the end of WNKU.  Miller to told me that NKU did do its due diligence regarding the costly acquisition of three Ohio commercial stations in 2011. Miller said that the plan, designed by Public Media Company, was fully examined by NKU and appeared to be solid. Miller said NKU soon changed the station’s plan when they made WNKU a “self supporting organization.”  This put the burden on the station to pay the debt itself.

BTW – Miller is doing fine. He is part of an organization that is in the process of restoring the Sorg Opera House, a Middletown, Ohio treasure. He misses friends in public media. Chuck Miller can be contacted at 383belair@gmail.com.

5.) Aaron Read decided to be “the adult in the room” with this comment:

“As a person deeply involved in LMA's at RIPR, and having worked with one at WEOS, I sympathize with WNKU's plight but I'm not as sanguine about how CPR's offer of LMA'ing was a true "lifeline".

When you're a license-holder, the onus is still on you for everything. Sure, CPR might've assumed all the costs but it's nevertheless a lot of work for NKU to maintain legal compliance. Plus WNKU had an awful lot of debt. That debt creates optics that are difficult to manage when the University is fundraising for other needs. "Hey, you wasted $6 million on that stupid radio station, why should I give you $1 million for that new chemistry lab you want?"

If CPR were expressly offering to *purchase* WNKU in a "lease to own" arrangement that involved an LMA over, say, three or five years to give CPR time to raise the money to make the final purchase? That might be a somewhat different story. Even then, though, I can't really blame NKU for just wanting to get out of the game.”

KEN SAYS: Aaron is correct. From Northern Kentucky University’s point of view, the sale of WNKU makes sense.  When the FCC approves the sale (which is expected in two to three months) they will be able to take a contingent liability off their books.

Despite the community outrage over NKU’s actions, NKU has the right to sell the FCC license anytime to almost anyone they choose. Look at it this way, soon there will be one less “accidental broadcaster” to screw things up.

MORE ABOUT PODTRAC & METRICS

All of the feedback I have received regarding yesterday’s story about Podtrac has been supportive of my assertion that the company’s top podcast charts are not ready for prime time.  For instance, Dan Costello commented:

“Even if they [Podtrac] have good download data, that doesn't mean there is any way to accurately convert downloads to listening time. NPR One and other similar apps data shows that people drop off a podcast the longer it goes. Boring episodes or episodes that don't hook listeners quickly get skipped. How would you ever get any of this information from just download data? You absolutely cannot. All they have is download data, and that isn't very complete itself either.

Here's an anecdote from my experience. I read a recommendation for a podcast that sounded interesting to me, so I subscribed. My podcast software is set to grab five episodes when I subscribe, and then hold up to 20 unlistened episodes before deletion. By the time I got around to checking this show out, it was a month later and I had nine episodes. I listened to part of one episode, found it wasn't for me, and unsubscribed. Nine downloads, and only one partial listen. A show with lots of recommendations and good reviews may get a big bump in subscriptions and downloads, but there are likely to be a good number of people who try but don't like it. How long before they unsubscribe? It could easily be weeks or even months and yet they keep getting counted.”

CLEVE CALLISON ANNOUNCES RETIREMENT

Another of public radio’s “greatest generation,” Cleve Callison, GM of WHQR, Wilmington, North Carolina, has announced that he plans to retire from the station in August.

Callison impresses me as one of the hardest workers in the biz. I and others were so impressed the way he rebounded after the sale of WMUB, Oxford, Ohio to Cincinnati Public Radio cost him his job.  Callison stayed visible, kept in touch with colleagues and didn’t give up hope as he searched for another public media gig.

About a decade ago he took the top job at WHQR when this station was on the ropes. The community station was deeply in debt and there was infighting between board members.

Through his leadership and personal example, Callison brought focus and hope to WHQR, paid off the debt, made peace with various factions and turned WHQR into an admirable success. Under his guidance, WHQR added a Classical station via an early HD-to-FM translator plan which allowed the main signal to switch to all news.  Well done, Cleve.

Thursday, February 23, 2017

KNOWING WHICH PODCASTS ARE THE MOST POPULAR DEPENDS ON WHO YOU BELIEVE


Last Friday we featured Podtrac’s PODCAST PUBLISHERS AUDIENCE RANKINGS, one of two monthly charts of top podcasts provided by the company.  In that post we talked about Podtrac’s goal of becoming the go-to provider for podcast metrics, something the industry needs. Podtrac founder and CEO Mark Mccrey replied to our questions but his response left some SPARK! readers wondered about the veracity of the Podtrac data.

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We heard from several producers and a couple of distributors who were surprised when Mccrey told us that counts can change up or down by 20% from month to month.   

“That's a helluva margin of error!” one observer said.

(The January 2017 Podtrac top 20 podcasts, ranked by US Unique Monthly Audience, is on the right.)

It turns out we aren’t the only observer to bring up questions about Podtrac’s data.   

For instance the top podcast chart contains no metrics.  It is just a list of podcasts without any stats to back it up.   


Podtrac doesn’t provide any proof about how the Unique Monthly Audience sizes compare with each other.

We repeatedly asked for more information from Mccery but he never responded to our questions.

The specific criticism of Podtrac seems to be in three key areas: 

1.) Podtrac’s lack of transparency; 

2.) The fact that Podtrac red lines podcasts and publishers who don’t subscribe to Podtrac rankings, and,

3.) Questions about Podtrac’s methodology, particularly their sample sizes. 

One observer told me: “Podtrac’s rankings are specious at best. Their charts look good but they are filled with aspirational notions, not factual data.”

So, are any of the other top podcast charts that are more reliable?

To get the lay of the land we compared the most recent Podtrac Top 10 with the most recent rankings by iTunes, Stitcher and Podcast One. To say there is a lot of variation from company to company is an understatement.


None of the four chart publishers reveal their actual numbers to explain why podcast #1 has a larger audience than podcast #2.  Each company uses its own proprietary analytics and qualification criteria.

No single podcast appears on all four of the lists. This American Life, Radiolab, Freakonomics Radio and The Joe Rogan Experience appear on three of the four Top 10 charts.  Beyond these programs there is very little consensus about which podcasts truly are in the Top 10. I guess you can say that measuring podcast audiences is still in development. For now, buyer beware.


Wednesday, February 22, 2017

WLRN & MIAMI-DADE PUBLIC SCHOOLS BATTLE FOR CONTROL OF NEWSROOM


We’ve written recently about “accidental broadcaster” – licensees who got into the broadcasting business in the 1970s and 1980s when risks were low and money was available. Often these stations are school district licensees. Such is the case in Miami.

Miami-Dade County Public Schools owns WLRN-FM and WLRN-TV, a PBS affiliate. For the past three decades Friends of WLRN, a nonprofit group, has operated the stations with considerable success. Now a power struggle between the district and the nonprofit has erupted over who is responsible for news coverage. If WLRN employees don’t sign the agree, the district said they could face serious but unspecified “consequences.

The Miami Herald reports [link], the district has given Friends of WLRN until March 2nd to submit to a new management agreement that will give the district control of the news product. The district wants to directly employ reporters and editors. People currently doing these jobs will have to reapply to continue working.

The school district said the reason for the change is “student safety.” Currently WLRN news people are not subject to the same background check requirements as district employees. The district’s new agreement will force 19 WLRN reporters and editors to reapply for jobs and become district employees.

This is important, schools district officials say, because student interns work with WLRN employees. Without stringent drug tests and criminal background checks, WLRN staffers could potentially endanger the interns. According to the Miami Herald, the district has suspended the intern program until the proposed plan is completed.

Critics have pointed out that school administrators will have the sole power to hire and fire its journalists. This will put independent news reporting at risk. Observers point out that under the proposed new agreement the school district can also dictate programming and broadcast content. School district officials have downplayed concerns about the plan.

Friends of WLRN defends its track record and warned that the new agreement could turn WLRN into public relations operation. The agreement could also lead to the cancellation of a news partnership with the Miami Herald and cuts in funding from foundations that insist on firm firewalls between licensee management and reporters.

The Miami Herald says in recent months, WLRN has aired stories critical of school district programs.

COMMERCIAL CLASSICAL “W-Bach” SIGNS OFF IN MAINE

Classical music fans in the Portland, Maine, area had quite a surprise this past Saturday 2/18 when WBQX a/k/a W-Bach, suddenly changed its format to Country music. 

Since 1991 W-Bach had provided Classical music to listeners in southern and mid coast Maine. A message on the W-Bach website Monday morning said “this site is no longer on the air.”

According to the Bangor Daily News [link], former W-Bach program coordinator Scott Hooper said in an email to listeners a few hours after the change:

“W-BACH died today. I’m sorry that things went this way. We gave it one heck of a ride, and I hoped for a better outcome.”

The Daily News report says it was well known that W-Bach had been having financial difficulties. Binnie Media, licensee of the commercial station, changed the formats of several of its stations at the same time.

WBXQ was one of a handful of commercial Classical music stations in the nation. According to the Daily News, the emergence of Maine Public Broadcasting’s Classical network was a major factor in the decision to end W-Bach.

KEN SAYS: This good news for Maine Public’s fledgling Classical music service. WBQX typically had a 0.5 AQH share, indicating 10,000 – 15,000 weekly cumulative listeners according the Nielsen Audio data. Many of these listeners will likely move to Maine Public’s service.