Some stations
really matter, even years after they signed off. One legendary station – WHFS – is chronicled
in a work-in-progress documentary called Feast
Your Ears: The Story of WHFS. You can see more about WHFS and the
documentary at [link].
WHFS mattered back
in the 1970s because it was a mirror of life & times and influenced many
folks who went on to careers at NPR, WAMU, WETA and other noncom shops
nationwide. WHFS matters today because its DNA is a core attribute of Triple A
“music discovery” stations.
WHFS 102.5 was a
mission-driven commercial station, something you rarely see today. In the
1970s,102.5 blasted into the Washington, DC market from Bethesda, Maryland. It
became an iconic source of music and culture in the days before FM radio turned
totally corporate. WHFS’ impact was
similar to that of WBCN in Boston, WMMR in Philadelphia and KDKB in Phoenix. It
was more than a radio station, it was a way of life.
Jake Einstein |
WHFS was a
mom-and-pop operation that began in the early 1960s playing “elevator
music.” The call letters reflect the
times: W-High Fidelity
Stereo. By the late 1960s
co-founder and GM Jake Einstein was looking for other programming options. His
son, Damian Einstein, convinced him that rock n roll was the future of FM. So
WHFS began adding hours of progressive rock and fans enthusiastically responded.
Soon WHFS was a full-time “underground” station. The good times lasted until 1983 when WHFS
was absorbed by big-money broadcasters.
Feast Your Ears: The Story of WHFS, brings to life the people, the music and
the feel of the era. The documentary is
currently in production, and is being financed in part by a Kickstarter
campaign. The goal is to complete the film in time for the 2017 Tribeca Film
Festival. The film’s producer is Jay Schlossberg, a former WHFS employee.
To see what it is
all about , watch the excellent trailer for Feast
Your Ears:
Direct link: https://www.youtube.com/watch?v=DpzPYafNCtQ
_______________
WBUR & WGBH BOTH UP IN TWO-MONTH PPM
TRENDS
Today we have
Nielsen Audio PPM weekly cumulative listeners estimates for August 2016
compared with June 2016. I call the five markets profiled today – Washington,
DC, Minneapolis-St. Paul, Denver-Boulder, Boston and Seattle-Tacoma – essential because some stations in these markets are influential trend-setters and innovators.
The competition
between WBUR and WGBH keeps intensifying. Both added weekly listeners between
June and August. The audience growth by both stations confirms the notion that rivalries
tend to increase listening to both stations. WCRB, like quite a few Classical
stations nationwide, was down a bit in the two month trends.
In Washington, DC
WETA followed the same declining pattern I’ve been seeing with other Classical
stations. To me, the BIG story in DC is the loss of weekly listeners at CCM
flagship WGTS. Is there something going on with listening to CCM stations? I ask because we recently reported [link]
that 75% of CCM stations in Diary markets lost weekly listeners between June
2015 and June 2016. Also, DC could support a 21st century version of
WHFS.
In the Twin Cities,
CCM KTIS-FM was also down a bit. Triple A KCMP a/k/a 89.3 The Current continues to be holding weekly listeners after the
big bounce they got from their coverage of Prince’s death and fan reaction.
(Speaking of
Prince, I give my highest recommendation for you to watch the YouTube video of
his guitar solo during While My Guitar
Gently Weeps at a tribute concert for George Harrison [link]. Gave me fucking shivers…)
The August PPM
numbers were a mixed bag for Neil Best & company in Greeley. NPR News KUNC had perhaps their largest
number of weekly listeners ever in Denver metro. Meanwhile new Triple A KJAC 105.5 The Colorado Sound dipped a bit.
In Seattle-Tacoma
this may be the last “book” KPLU which is in the process of becoming the new KNKX. KING was up nicely.
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