The New York Times and American Public
Media (APM) are in the final stages of preparation for the launch of the radio
version of the podcast The Daily. The half hour program will debut on 16 NPR
News/Talk stations including Los Angeles (KPCC), San Francisco (KQED) and
Houston (KUHF).
Expectations
for The Daily are high, in part
because of the success of program’s podcast. According to the Times, The Daily has a following of 4.5 million monthly unique listeners. It
was the most-downloaded new show in 2017 on Apple Podcasts. Plus, it won the
DuPont-Columbia University Award for audio excellence. This is an amazing track
record considering the show is less than two years old.
Yet
to be seen is where stations will schedule The
Daily. The program will available at 4:00pm ET Monday through Friday. As a
29-minute, self-contained show, The Daily
presents some scheduling challenges in a world where one-hour programs are the
norm. Stations will likely pair it with Marketplace, also a half-hour program,
or rejoin All Things Considered at
the bottom of the hour.
APM
is making the program clock (on the right) available to stations so they know
the sequence of segments and can plan accordingly.
The Daily begins with the typical
public radio entry: a one-minute billboard and funding credits followed by the
insertion of a five-minute live newscast from NPR.
Things
get rolling at six minutes after the top-of-hour with Segment A, roughly 10 to
12 minutes depending on the topic. The content is Segment A will likely
repurpose the lead story in the podcast version.
Following
a “floating cutaway” for funding credits and station business, The Daily
returns with Segment B, an expanded version of material from the podcast.
The
show wraps at 29:00. followed by a one minute of music bed to help stations with timing.
The Daily crew: Andy Mills, Lisa
Tobin, Michael Barbaro and Theo Balcomb
Image courtesy New York
Times
|
The
launch of the radio version of The Daily means an increased workload for the
people who assemble the show. Instead of having one deadline each day, they will now have two.
Yet
to be seen is how The Daily performs on the radio platform.
One
of the endearing features of the podcast is the mental elbow room it gives host
Michael Barbaro and contributors.
KEN SAYS: I am impressed with the
effort the Times is making to get the radio version of The Daily just right.
This signals that the Times is serious about being a player in radio and audio
reporting.
NEW STUDS TERKEL AUDIO ARCHIVE
OPENS MAY 16th
An
awesome collection of audio interviews by the late Studs Terkel will open to
the public online on May 16,2018. The
Studs Terkel Radio Archive [link] will showcase interviews culled from more
than 5,600 of Terkel's radio programs on WFMT, Chicago.
Studs Terkel |
Terkel
had a long and rich association with WFMT. For over 45 years (1962 – 1997) WFMT
was home-base for the Pulitzer Prize-winning author.
Terkel’s interview and oral history guests ranged from Martin Luther King Jr., to Simone de Beauvoir, to Bob
Dylan, to Cesar Chavez and Toni Morrison.
The
scope of Terkel’s knowledge is impressive. Topics to be featured in the Archive
include Psychology, Classical and Experimental Music, the Cold War, Feminism,
Latino Culture, Jazz and many more.
There
is no one today quite like Terkel. His work embraced our common humanity,
dreams and disappointment. Terkel had no
tolerance for bullshit but I never heard say anything unkind to a guest. (I’d love hear his
take on Trumpland.)
Currently
WFMT airs some of Terkel’s work in the weekly series Best of Studs Terkel
Fridays from 11:00pm to Midnight. You can scan the program listings here.
Terkel
died in 2008 at age 96. Partners on the Archive include WFMT, the Chicago
History Museum, the Third Coast International
Audio Festival, PRX and PRX Remix.
.
”.
I believe The Daily has a 30 second billboard
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