Jennifer Ferro (image courtesy LA Weekly) |
In
a comprehensive interview with The Los
Angeles Times, published on March 15th [link], KCRW CEO Jennifer
Ferro told Times reporter Randall
Roberts “We serve the whole person.”
This
is an apt description of KCRW’s mixture of NPR News, specialty shows and free-form
music.
The diversity of sounds often means one-half of the dual- format, NPR
News, pays the bills.
Still, KCRW’s music is heart and soul of the station.
This
matters in the highly competitive Los Angeles radio market.
Not that long ago
KCRW was the undisputed top NPR News station in LA.
Then, in the early 2000’s
American Public Media (APM) took over KPCC via a management agree and flipped
the Pasadena Community College station to 24/7 NPR News/Talk.
KPCC
invested heavily and built a major regional news presence. KPCC chipped away
KCRW’s news listeners.
In 2009, when KPCC first beat KCRW in the then-Arbiton
ratings, General Manager Ruth Seymour was asked if KCRW would switch to all news/talk.
She said “No, every station has its own song to sing.” KCRW still has the dual-format today.
Now
KPCC has a sizable lead. In the February 2019 Nielsen Audio PPM ratings,
KPCC had 200,000 more estimated weekly listeners than KCRW. KCRW’s
average-quarter- hour (AQH) share was about a third of KPCC’s AQH share. A
margin like this makes a difference in underwriting revenue and community
clout. (Scroll down to see the February ratings for all LA noncommercial
stations.)
Music
is essential to KCRW’s brand. The station’s flagship daily show Morning Become Eclectic has introduced
dozens of artists who are now famous. Beck,
Adele, Coldplay and Radiohead got their start on KCRW. Morning Become Eclectic has amazing
influence on music heard in movies and television programs.
KCRW Media Center |
The
tension between news and music matters even more these days because KCRW is
about to move into its new $38-million headquarters, the KCRW Media Center.
It took over 11 years to raise the money and
build the 34,000-square-foot facility.
KCRW
wants the Media Center to be an internationally known media hub and a cultural
hub for Southern California. Music performance is a large part of the plan.
The
station has ample resources. According to transparency reports on the station’s
website, in FY 2017 KCRW generated over $30-million in revenue. The has almost
$40-million in the bank and investments.
Despite
this pot of gold, KCRW is involved in several finicky businesses. Radio continues to be a lucrative business,
thanks to in-vehicle listening. The music business had its first year of
revenue growth in more than a decade. Digital media, such as podcasts, are growing
but still are hard to monetize.
Ferro
summed it up in her interview with Roberts from The Times:
“KCRW’s largest challenge
is the same for all media companies today — how to stay relevant in the digital
age and find sources of revenue in an increasingly competitive landscape.”
PROOF: KCSN HAS ALMOST
200,000 WEEKLY LISTENERS
People
have been wondering how many people are listening to KCSN – now simply called “88-Point-5” because its programming is
also heard on 88.5 KSBR in Orange County.
The answer was 176,300 estimated
weekly listeners in the February 2019 Nielsen PPM ratings.
Ironically,
KCSN became a subscriber to Nielsen just as GM Sky Daniels announced his
retirement after eight years in charge.
Daniels is the best KCSN leader ever
and we will feature him soon.
Also
in Los Angeles in February KPCC, Classical KUSC and Jazz KKJZ dipped a bit from
previous months.
Christian Contemporary K-Love on KKLQ had the best book since
it signed on over a year ago.
In
New York both NPR News/Talk WNYC-FM and Classical WQXR had losses in Cume but
their AQH shares remained strong.
AAA mainstay WFUV maintained its AQH share
and estimated weekly listeners.
At Pacifica’s pathetic WBAI, someone should
tell the the person who is their last listener to turn the lights off when they
leave.
In
Chicago NPR News/Talk WBEZ was up in both AQH share and weekly cume.
WBEZ’s
second service – Urban Alternative Vocalo – had enough weekly listeners to be
included in the Nielsen report.
However, Vocalo didn’t have enough of an AQH
share to be listed.
Vocalo originates on WBEZ’s HD-2 channel.
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