Thursday, March 5, 2020

HOW COLLEGE RADIO STATIONS CAN SIGNAL THEIR VALUE TO THEIR LICENSEES • INSIDE WSUM, MADISON


Earlier this week [link], we reported about four college radio stations that have gone silent or are considering signing off. 

Though this trend has been happening for more than a decade,  lately the number of college stations vanishing seems to be increasing.

The major reason why universities are pulling the plug is that the leaders of universities feel that their "campus" station brings nothing of value to the institution.  

In other words, they are expendable.


Colleges and universities are experiencing budget contractions that force administrators to make tough choices. 

Looking at the ROI, the “return on investment”, often makes the decisions. Many college stations offer no good reasons why their university should continue funding them.

Most of the institutions are what we call “accidental broadcasters.” They acquired their FCC licenses in the 1970s and 1980s when the cost of entering the radio business was much cheaper. Now, when higher education budgets are so tight, “accidental broadcasters” tend through in towel rather than investing any more money in the stations.

 For instance, we recently reported that the University of the South, located in Sewanee, Tennessee, mailed the license for their student station (WUTS) back to the FCC.  The university announced the give away while students were on the Christmas break.

We know that there is many other college radio stations that are, or will soon, face the same existential threat. So, it seems like a good time to suggest ways college stations can increase their perceived value to their licensees.

BEST PRACTICES FOR COLLEGE STATIONS TO SIGNAL VALUE TO THEIR LICENSEES

Just to be clear, we are talking about only stations that are licensed by the FCC. Online and carrier-current stations exist in their own realities.

David Black
To provide a real world perspective we are joined by David Black, GM of WSUM at the University of Wisconsin in Madison. 

WSUM is not a typical college station, However, their successes might be adapted elsewhere

We asked Black how WSUM shows its value to the leaders of UW.


Black: “Until last year, it was easy to communicate the value to the licensee because all 27 campuses in the UW System are governed by the Board of Regents.”

“However, the UW System has recently was decentralized, so we don't deal directly with the licensee in that way now.  We instead deal with UW-Madison campus, which acts on behalf of the Regents when it comes to our license.”

• BEST PRACTICE: MAKE CERTAIN EVERY ONE AGREES WITH THE MISSION STATEMENT, PARTICULARLY THE ADMINISTATION

Black told us that the key is making certain that everyone involved knows and agrees with the station’s mission statement:

Black: “We fill out an extensive number of budget applications and provide mid-year and end-of-year reports. The documents offer us the opportunity to show how our actions are in line with our mission.”

“UW-Madison has a mission that may not be unique, but is aptly encapsulated thusly:

Quoting from UW’s Mission Statement: “We believe that the great state University of Wisconsin should ever encourage that continual and fearless sifting and winnowing by which alone the truth can be found.”

“The fact that the UW has the fearless search for truth in its mission, it gives us a true north principle for executing our mission.”

“We try to ‘live our mission’ by having it posted in two different places in the station and referring to it more than occasionally.”

• BEST PRACTICE: WATCH FOR “LICENSEE FATIGUE”

Black: We are very much a believe in preventing the kinds of issues that create 'licensee fatigue.’ These include indications that university leaders have grown tired, or maybe bored, of being responsible for the station. We simply had to do everything right from the beginning, so we have always been 'justifying our existence' from the very start.

One way to deal with this reality is to put something new on the table. We recently talked with UW’s senior management about our desire to expand our outreach people in the entire Madison metro area.

BEST PRACTICE: REMEMBER THAT UW STUDENTS ARE THE CORE CONSTITUENCY

Screen-shot from WSUM’s “Welcome” video
Black: “Our annual budget is around $395,000. The top sources of funds are student fees, underwriting and members. Our ‘Friends’ foundation also receives donations.”

“We let UW students know that we consider them to be our bosses. We see our constituency to be as important because we are an educational station.”


“As a way of providing extra value to our student population, we have added online-only streams of music and sports broadcasts. Plus we offer a variety of podcasts.”




GOOD ADVICE FROM WSUM’s MEDIA KIT

DESCRIBE WHO LISTENS TO WSUM?

40,000+ students, young teachers, and esteemed professors at UW-Madison • 15,000+ students, young teachers, and esteemed professors at other local colleges
• Madison’s nest urban professionals, parents, and high school students • Dane County and the greater metro area

TELL LISTENERS ABOUT SPECIFIC THINGS THAT THEY SUPPORT

• Strengthening WSUM’s on-air signal       

Maintaining WSUM’s online streaming

• Providing an opportunity for 150+ students and community members to 
engage in broadcasting

• Supporting WSUM’s Snake on the Lake festival in September 


HAVE AN UNDERWRITING PLAN THAT REFLECTS THE STATION’S TRUE VALUE

• Credits cost $30 per spot

• The cheapest spot is $11, in a long-term package



EDISON RESEARCH: NUMBER OF HOUSEHOLDS WITHOUT A RADIO RECEIVER JUMPS TO 32%


According to Edison Research [link], the number of U.S. households without a radio is now 32%. 

This number has increased each year since 2008 when only 4% of U.S. households did not have an AM/FM receiver.

The new information is from the upcoming The Infinite Dial 2020®, a semi-annual study conducted by Edison and Triton Digital.


The Infinite Dial 2020® will be released on Thursday, March 19, 2020. Edison is hosting a free webinar at 1:00pm ET that day to present the full report. You will find registration information here.

Edison is promising to provide answer these questions during the webinar:

• What devices and/or platforms have replaced radios in the home?

• Do those who have no radios have smart speakers they use to hear radio?

2008 is an important baseline year because that is when Apple began selling the iPhone. 

Since then, the Smartphone has redefined the way people consume audio and video. 

After 2008, the percentage of households without a radio receiver has increased each year.

The trend away from AM/FM radio receivers began long before 2008. In 2018 we published a personal story [link] about the difficultly of finding a radio receiver to purchase in the mid 2000s.

Marie Mills
The story concerns my mother, Marie Mills, who died at the age of 80 in 2007.

Radio was her companion for most of her life. 

When my mom entered  hospice care she asked me to buy her a “transistor radio” so she could listen to her favorite station, KRSD, a repeater station of Minnesota Public Radio that played Classical music 24/7.


I thought it would be easy to find her a small portable radio in the shopping hub of Sioux Falls, South Dakota, where she lived. That was more difficult than I expected.

I went to Walmart and Target and they had no radio receivers on sale. A salesperson at Target told me: “We’ve sold a radio in years.”

Thentried several electronics specialty stores, and again, they did not have a radio receiver in stock.

I finally checked with Lewis, a regional chain sort of like Walgreens. They had one AM/FM receiver in stock.  It was a bargain brand I had never heard of. The cost was less than ten dollars and it worked fine.

My mom listened to that radio day and night for the next couple of months. 

When she took her last breath, Classical MPR music was playing.

Before she died, she asked me to make a gift to Classical MPR in her name. I did, just as she had asked.

I am telling this story because there once was a time when virtually every household in America had a working AM/FM receiver. 

I don’t know if streaming station audio, mobile devices or smart speakers will ever reach as many people as AM/FM did just two decades ago. Probably not.

This isn’t bad and isn’t good, it is just is.

A WORLD WITHOUT RADIO

While doing research for this story, we found a YouTube video on Edison’s blog [link] titled A World Without Radio. You can see it on YouTube here.



Edison added this note about the video:

“The purpose of this bad B-movie trailer is to get everyone thinking about a world without radio. As ridiculous as the premise seems, if some catastrophic event took out radio transmitters, what would people do? Well, they would use the digital options they already have. It turns out that no catastrophic event is even necessary to create a shift in listening behavior – because it is already happening. Broadcast radio has a big problem: A hardware problem.”

Wednesday, March 4, 2020

JILL RILEY NAMED HOST OF THE CURRENT’S MORNING SHOW, MEANWHILE BRIAN OAKE IS NOW PODCASTING


Jill Riley (image courtesy of MPR)
Last August, when Brian Oake was dumped from 89.3 The Current’s morning show, co-host Jill Riley wasn’t certain what would happen next. Now she knows.

On Monday (3/2) Minnesota Public Radio announced that Riley has been named the permanent and sole host of the Monday- Friday 5am to 10am air shift.

Riley told reporter Chris Riemenschneider from the Minneapolis Star Tribune that she feels comfortable as a solo host:

“It’s back to me talking one-on-one with the listener, mostly about music.”

We urge Spark News readers to download Riemenschneider’s excellent article about Riley and The Current here. The article also says that The Current now has an entirely female daytime lineup. After Riley’s shift ends at10 am, Jade Tittle and Mary Lucia follow her on weekdays.

Brian Oake

So, what ever happened to Riley’s former co-host Brian Oake? 

We still don’t know the reason why Oake was canned by MPR. 

Our August 2019 coverage of Oake’s unusual termination [link] continues to be one of the most popular archive posts ever on Spark News.



Oake’s arrival at The Current in 2016 was a major news story in the Twin Cities. Before he moved to The Current, Oake was the morning host at Cities 97. At that time, Oake was one of the highest rated (and highly paid) morning personalities in the market. You could say Oake was “bellowed.”

The Palace Theater
Things appeared to be appeared to be fine until the night of July 31, 2019. 

Oake and his 20-year old daughter attending a Tenacious D show at The Palace Theater, a popular music club in downtown St. Paul.

Oake’s daughter asked him if she could have a sip of his drink. 

Oake said “yes.” 

Before his daughter put the glass back down on the table, several security officers surrounded the two and asked them to immediately leave the club.

When the two were home, Oake posted a rant on Facebook criticizing the Palace and its security squad. In the post, Oake included the names of the security people.

Oake and Riley
When Oake cooled down, he realized his post was over-the-top and he deleted it. 

He apologized to everyone who was involved. 

Then, Oake vanished from The Current and he never returned. 

MPR didn’t even say that Oake was gone until August 17th.

Since then, MPR has said nothing about Oake’s dismissal. Oake claims he has never been told the reason he was fired.

Recently Oake reappeared. In a November 2019 article in MSP Magazine [link], Oake announced the debut of his first podcast – The Brian Oake Show – on Spotify [link]. He described the podcast this way: 

“I'll talk about the news of the day. It'll occasionally get a little goofy. It's not going to be a shock-jock thing, I'm not going to be dropping F-bombs every other sentence. That being said, if one pops out, no harm, no foul. I don't want to offend anybody.”

Oake told MSP Magazine that he is done with “traditional radio.” He is unemployed for the first time in his 25-year radio career. Oake sounded wistful when said in the magazine article that he has no idea what to expect of the podcast or where he stands with his former listeners.

In the Star-Tribune article, Oake wished his former co-host well and praised how well she handled the chaotic aftermath of his firing.

LGBTQ JOURNALISTS ARE ENCOURAGED TO ENTER NLGJA’S 2020 EXCELENCE IN JOURNALISM AWARDS

The Association of LGBTQ Journalists – NLGJA – is now accepting nominations in over 30 categories for their second Excellence in Journalism Awards.

The competition began in 2019. Applicants do not need to be members of NLGJA or identify as LGBTQ to enter. The winners will be honored at NLGJA’s National Convention September 10-13 at the Drake Hotel in Chicago.

For more information, go to nlgja.org or email questions to awards@nlgja.org.

Tuesday, March 3, 2020

COLLEGES SEE NO VALUE IN KEEPING THEIR “CAMPUS” RADIO STATIONS


It’s another day and another college radio station is on the ropes.

WKKL FM 90.7, licensed to Cape Cod Community College in West Barnstable, Massachusetts is not  on the air.

They stopped transmitting in late December because of equipment failure. 


Now the Community College is considering ways to relinquish the station’s FCC broadcast license. Bruce Riley, interim Dean of Arts, Humanities and Adult Education at the college summed it up this way in the Cape Cod Times [link]:
 
“It’s about budget priorities. It’s a fairly pricey fix. It’s kind of a strategic decision. We have to figure out whether it’s cost-effective.”

The cost of repairing the equipment is estimated at $10,000.

WKKL is known as The Cape’s Alternative. It has hosted generations of student DJs and happy listeners. 

Now, the student staff hopes that Community College will choose to keep WKKL going. It is the latest in a recent string of college stations signing off:

• Late last fall, Denison University in Granville, Ohio, sold WDUB (The Doobie) to WOSU in Columbus for the unbelievably low price of $5,000 cash and $47,040 in underwriting spots. 

Read our coverage here.

• The College of Wooster in Ohio sold the license for WCWF 90.9 FM (Woo 91) to the Educational Media Foundation (EMF) for $170,000.

• The University of Minnesota Duluth is currently completing the sale of KUMD to the local PBS TV station for $170,000. See our coverage here.



• In late December 2019, the University of the South, located in Sewanee, Tennessee, mailed the license for WUTS back to the FCC while students were gone on Christmas break. Our report here.

An anonymous Spark News reader pushed back on our reporting:

"On the other hand, we forget that most universities are facing some serious economic trouble. Class sizes are about to shrink dramatically due to a coming demographic crunch and belts must be tightened."

Of course this is true. A common theme in all of these situations is that the people in charge of the stations don't believe that the "campus station" doesn't bring anything of tangible value to the university. It is a feel-good.

Unfortunately, good vibes are not enough to make it sustainable.   This is a time of budget shortfalls and an emphasis on ROI -- the “return on investment.”

Who is to blame? Most often it is the university itself. Very few have made their stations part of the overall strategic plans.

LESSONS FROM THE MOST SUCCESSFUL COLLEGE STATION IN THE NATION: WSUM, MADISON

It is time to look at college stations that bring excellent ROI to their universities.  At WSUM and though out the University of Wisconsin, their success of their success is based on a clear mission:
  
WSUM is the University of Wisconsin Madison Student -run community radio station. Our Mission is:

• To act in a service and outreach capacity for the students of the University of Wisconsin-Madison and people of Madison and surrounding communities.

• To provide an educational environment and valuable hands-on experiences as a teaching and learning tool for students

• To provide an alternative source of information and entertainment to the campus and community.

In a future report we will take a closer look at how make mission pare of WSUM's success.

Sunday, March 1, 2020

KMUW TAKES THE LEAD IN THE EFFORT TO PRESERVE KANSAS PUBLIC MEDIA HISTORY • MORE ABOUT PUBLIC RADIO’S “MISSING CUME”


Audio carts were used at KMUW until the late 1990s
NPR News station KMUW in Wichita is now searching for an archivist to digitize public media’s history in Kansas.

The project is part of a nationwide effort by the American Archive of Public Broadcasting (AAPB) to digitize public media content in all 50 states. 

Kansas is one of 12 states that currently does not have their state's public media history digitized and included AAPM’s national archive.

AAPB is working with the Library of Congress, the Council on Library and Information Resources (CLIR) and the WGBH Educational Foundation to preserve public media content that is at risk of being lost. 

The goal is to make historical material accessible for research purposes. The public will be to access the material via the Library of Congress.

CLIR awarded KMUW a $407,000 grant for the Kansas project. The Kansas project will collect and digitize over 2,000 hours of programming.

KMUW is working with six other Kansas public media broadcasters including High Plains Public Radio in Garden City, KANU in Lawrence, KRPS in Pittsburg, KHCC in Hutchinson, Vietnamese Public Radio and KPTS-TV, a PBS station based in Hutchinson.

AAPB reached out to KMUW GM Debra Fraser, Chair of the Kansas Public Broadcasting Council, to choose material that reflects all parts of the state. Fraser said in a press release: “Hopefully [the Kansas project] will be used as a model for other states and areas.”

Jessica Treadwell
Jessica Treadwell, KMUW’s Director of Major and Planned Gifts, is in charge of Kansas archive project. She told Spark News that KMUW is seeing strong interest in the position so far, but she wants to hear from more applicants.

The requirements of job are very specific. In addition to having digital archiving skills, the person who gets the job must live in the Wichita area have knowledge of public media in Kansas.

To learn more about the job follow this link. Treadwell is available to answer questions. She can be reached directly at 316-978-7572 or treadwell@kmuw.org.

MORE ABOUT PUBLIC RADIO’S “MISSING CUME”

We received several comments from readers concerning our post last Friday [link] about our comparison of Nielsen PPM data from January 2020 and January 2017. Our analysis found that there were over 13% fewer weekly listeners to public radio stations in 2020 than their were in 2017.

In our post, Fred Jacobs from Jacobs Media told us:

“Every year in the Public Radio Techsurvey, we see “traditional listening” decrease, while digital consumption of public radio continues to rise.”

An anonymous reader agrees with Jacobs and brought a new wrinkle into the conversation:

Fred Jacobs is right. More people than ever are listening to public radio as streams and (mostly) podcast. But fewer are listening to terrestrial radio. We have been telling the lie for years that somehow the new digital listener is going to become a "regular radio" listener.

So how much longer is NPR going to subsidize their digital efforts on the back of terrestrial radio stations who are paying ever-increasing carriage fees?  The station compact [is] a total joke.

“[This is] the time for radical change in the public radio world is now, or we risk losing the smaller over the air stations.”

KEN SAYS: The station compact is a recent change in the agreement between NPR and its member stations. In the agreement, many stations are paying higher carriage fees for Morning Edition and All Things Considered. The change has caused a rift between large stations and small stations.

KDFC and the San Francisco Conservatory of Music (SFCM) have announced
that the two organizations will become neighbors later in 2020. KDFC will be
moving to the new Bowes Center, located at 200 Van Ness Avenue, across
from Davies Symphony Hall.
We also received a comment from Gregg McVicar, the host and producer of UnderCurrents [link], a syndicated music program that features Triple A music. 

McVicar lives in the Bay area and considers KDFC to be a precious resource.

McVicar: “KDFC is one of two full-time noncom music stations in the Bay Area. The other is Jazz-formatted KCSM, south of San Francisco in San Mateo." 

"KCSM has been struggling in recent years. KDFC is the only reliable alternative to News & PA, then the station is an easy choice, especially as the American nightmare deepens.”

“And KDFC is easy to hear anywhere via six transmitters, streaming, apps, Apple TV, smart speakers, etc.”

“If there were a 24/7 AAA station serving the Greater Bay Area, I believe you’d see strong numbers similar to those of WXPN.

Info graphic from KDFC’s media kit
KEN SAYS: We agree with McVicar about the need for a noncommercial Triple A music station in the Bay Area. San Francisco has a rich history of progressive music. No other station airs AAA.

KDFC is one of the nation’s leading Classical music stations that excels in its programming, community engagement and listener access to content on digital platforms. To learn more about KDFC, we urge you to download their fantastic media kit [link].

We made the case for a Bay Area noncom Triple A station last December [link]. Sooner or later, someone will fill the need. KCSM, are you listening?


We also heard from readers that wondered why Jazz music WDCB wasn’t included in our charts. 

The answer is simple: We didn’t realize that we had  omitted WDCB until we received messages from readers. The revised chart for Jazz stations in the top ten Nielsen PPM markets is on the left.